A homegrown Josselyn Canyon original, Mike Beck slipped on his well-worn Western wear, climbed into the saddle and followed his own inclinations.
He became a working cowboy and horse trainer.
He strapped on a guitar and picked up a pencil and wrote songs and sang them to audiences.
Now 54, Beck has performed in 16 states and six foreign countries.
And though he's since moved on to Willow Creek, Mont. - "a pretty darn small town with a saloon and café in one and three kids in the senior class" - he never left the influences of his youth lived along the Highway 68 corridor.
"I got a horse in third grade," recalled Beck, in Monterey recently to perform with his band, The Bohemian Saints. "We'd ride past cattle and ponds and canyons. It was absolutely formative."
Beck would ride onto the Work Ranch past cattle and ponds and canyons, up and over the high country, all the way onto the September Ranch in Carmel Valley.
"That whole area was our playground," Beck said.
After Beck graduated from Monterey High School, Class of 1972, he headed to Nevada to cowboy. There, he eventually worked on the 2 million-plus acre Spanish Ranch. His crew branded calves seven days a week. Dusty but elated, they dined off piping fare fried up by a chuckwagon chef.
Pioneering approach
Over the decades, Beck had also heard of Bill and Tom Dorrance and the Dorrance Ranch, not far from his home in Josselyn Canyon, and of their pioneering approach to working with horses.
Their approach was for a rider to try to see a situation more from the horse's viewpoint. That mindset led to a more harmonious and productive relationship between horse and rider.
The horse, in facing a task, then became a more of willing partner. Beck was intrigued.
"I wrote Bill. He invited to me to come to the ranch," he said. "I worked for him and learned. In trade, I got a place to live and I got fed."
The 4,300-acre Dorrance Ranch begins about a mile beyond where Corral de Tierra meets San Benancio Canyon Road.
It rises up Mt. Toro's northern ridge, and its land serves as headwaters for streams on both the Carmel and Salinas sides.
The ranch is home to golden eagles, burrowing owls, the California tiger salamander and other natives.
Bill Dorrance and Beck would immerse themselves in ranch work. They'd check cows that were calving, oil hinges on gates and dig culverts.
In the year he was there, Beck learned many lessons of ranch living, and he learned from the sterling character of Bill Dorrance, with whom he spent the most time.
Bill was a master horseman, ranch roper and rawhide braider. He was deeply engaged in life, a great learner and keen observer.
"A quiet thinker," Beck said. "He was interested in things until the end of his life. Bill had a humor about him, too, and a fun way of doing what he did."
Beck keeps those attributes and values close at hand and applies them to his own life.
"He was such a great role model," Beck said.
Music
Another major influence on Beck was music, which, when he was 13, entered his life in a most powerful way.
"That year we road our bicycles to Monterey to the Pop Festival," he said.
It was 1967, and music, history-making and transforming filled the venue's sea-kissed air.
Beck heard Janis Joplin in all her refined rawness. He tuned in Canned Heat, Jimi Hendrix and Ravi Shankar, whose sitar virtuosity still echoes through the ages.
He heard those explosive sounds live, and the sparks and fire they generated ignited his own musical enthusiasm.
"That and the AM radio," he said. "Those were the days of listening to the Beatles on KNBY [Radio]."
The young Beck began haunting a music store on Alvarado Street in Monterey. Finally, a salesman, annoyed at the constant presence of the boy, made him an offer he couldn't refuse.
"He gave me a cheap Japanese guitar and told me to keep it - if I promised never to come back," Beck said.
Beck now has four albums of original cowboy tunes to his name. KPIG Radio, among others, plays Beck's music.
"I write songs, usually at home in Montana," Beck said.
He writes in his kitchen with dawn's sky turning red and with a cup of fragrant coffee steaming by his side.
Beck's West
A sense of where his music stands comes in a review of one of his albums, "Mariposa Wind," in Dirty Linen Folk Magazine in December of 2002.
"Mike Beck writes about the people, landscapes and emotions of the American West, which he knows intimately as a working cowboy in Montana," the reviewer said.
"Beck's West is not the sometimes overblown caricature of drama, but the quiet intimacy of the mariposa wind of the title track, the sound of leather creaking in a rider's saddle, and the mingling of cultures and languages of 'Mi Caballo Negro Poncho.'"
Though he lives in Montana, Beck loves California.
On the other hand, there's no 5 p.m. rush hour in Willow Creek. There's no line at the post office, and criminal acts seldom get more serious than jaywalking.
In July of 1999, Bill Dorrance died, shortly after publication of his book, "True Horsemanship Through Feel," written with Leslie Desmond.
In March of 2008, the Dorrance family closed a deal with The Nature Conservancy and The Big Sur Land Trust to place the ranch in permanent conservation easement as a way of protecting the land from development.
"That's a wonderful thing," Beck said of the arrangement. "It's quite a piece of ground."
As much as Beck's experiences growing up in the Off 68 corridor, including those days on the Dorrance Ranch, shaped his present, he expects they'll inform his future, too.
"I'm really happy with what's going on in my life right now, and I plan to write more songs," Beck said.
"Continue on with the horses, too. Do both. They sort of feed off each other."
Mike Beck & the Bohemian Saints: Press
See what I mean? An embarassment of riches and I haven't even mentioned Mike Beck & the Bohemian Saints (my favorite band) Friday night at Fernwood Resorts in Big Sur or Beck doing his solo acoustic thing Saturday night at East Village Coffee Lounge.
I've been informed that the band's two shows last weekend at the Pelican Tavern were standing-room-only, so I imagine Fernwood will be jumpin' as well. Friday night's show gets under way at 9 p.m.; it's a 7:30 p.m. start at East Village.
These days, Mike Beck lives two lives. Most of his days and nights are spent in the tiny Montana town of Willow Creek (population: 200). There, he lends his guitar playing to a band called Montana Rose, which is fronted by female vocalist Claudia Williams.
“They’re like a very successful regional band,” he says. “They do a lot of Lucinda [Williams] stuff and original stuff.”
But, about once a month, Beck returns back to Monterey County to play some shows with his Byrds-influenced country rock band Mike Beck and the Bohemian Saints, which features the extremely talented Tom Ayres on guitar. It’s clear that those moments when he is up onstage with his own group are what Beck looks forward to. “It feels like I’m coming home,” he says.
Even though he moved out to Montana a year ago, Beck and his band managed to put out an EP simply titled Four Songs at the end of last year. Four Songs includes the Tom Petty-meets-outlaw-country of “Cheyanna” and “Itty Bitty Girl,” a country rock nugget that Beck’s clear, powerful guitar playing rushes through like a mountain stream.
One fairly substantial departure is “She Run Away,” which starts out as an atmospheric ballad hinting at a storm on the horizon. That storm comes midway through the number with a squall of heavy riffs before the end, when a mandolin duels with an electric guitar. “I was really influenced by the Led Zeppelin sound on that,” Beck says.
Currently, Beck is writing a batch of songs for a new CD with the Bohemian Saints that he hopes to start recording this June. The six new tracks he’s written so far includes a number about a 13-year-old Beck seeing Jimi Hendrix burn his guitar at the Monterey Pop Festival. But the musician says that other songs eschew narrative songwriting for abstraction. “It’s really about the listener defining what they want, like a painting,” he says. “It might take you someplace different than the person next to you.”
Beck also hopes to further tap into listeners who were introduced to his songs by local Americana radio station KPIG. With the Americana station now broadcasting in Chico, San Luis Obispo, Redding, and the Bay Area along with the Monterey Bay region, Beck is planning on getting his group to secure more gigs in the other KPIG markets.
It’s a strategy that could pay off. KPIG DJ Ellie Mae says the station frequently plays songs including “George Orwell’s 113th Dream” from his last release Rooted.
“KPIG listeners love him,” Mae says. “I get requests for him all the time.”
Like a cowboy rock symphony, Mike Beck and The Bohemian Saints know how to throw down the beat with soul.
The old-fashioned guitar band, founded by Monterey guitarist, songwriter and working cowboy Beck, is revving up for a run through the Monterey Peninsula starting this weekend, with a load of material they will record later in the year.
The band plays at 8 p.m. Friday and Saturday at Pelican Tavern in Pacific Grove, then heads to the Fernwood Resort in Big Sur on Friday, April 17.
Beck will also perform a solo set Saturday, April 18, at the East Village Coffee Lounge in Monterey.
A recent appearance at Wave Street Studios, the digital video recording studio off of Cannery Row in Monterey, captured the band in vintage form.
Out front and center, Beck's cooler-than-cool persona oozed through the screen on "Rock and Roll Cowgirl," channeling Tom Petty if he were a rugged horse trainer.
Tom Ayres' guitar licks were works of wonder, complementing Beck's steely orchestration with gorgeous wails that filled the room.
The rhythm section of bassist Marty Lydon and drummer Paul Montgomery filled out the frame with precise measure. The band's sound is constructed with a seasoned flair, crafty yet original.
The band's repertoire is filled with Americana/rock classics from the likes of Tom Petty, Neil Young, the Byrds, Bob Dylan, Johnny Cash, Merle Haggard, Steve Earle and The Band, but it's Beck's originals that make it stand apart.
On a number like "She Run Away," the band flexes its versatility with a somber opening that drops into a riff-heavy bridge, courtesy of Ayres' commanding play. Beck's lyrics paint the picture.
"She's running like a deer through trees/ running from the past/ It should have been different/ It should have been love that would last."
Beck, a Monterey native who started cowboying at age 17, started the current band while on the road in Montana, where he had worked for years as a cowboy and weekend cowboy singer and guitarist performing his own songs.
All veteran musicians who had played with each other off and on for years (in fact, all have played in the legendary Monterey party band the Fabulous Bagtones), the chemistry clicked as soon as they started playing music.
That vibe spread to the audience once the band started performing live.
"It's got this sort of feeling that draws people together — young and old, cowboys to bikers. It's kind of a contagious energy," said Beck. "It's hard to explain. It doesn't sound like the (Grateful) Dead, but it's sort of what the Dead did. It has this vibe and people are into it."
"People would come early to get a good seat, and stay to the bitter end, and they're not spring chickens. We're talking an older crowd," said Beck. "It's got a really good vibe. People pick up on the energy of the evening. People are just drawn into it."
A professional horse trainer (he conducts horsemanship clinics in the U.S., England and Scandinavian countries), accomplished guitarist and distinguished songwriter, Beck is an Old West auteur who is just as comfortable on the open plain as he is on stage. When he weaves the cowboy way into lyrical design, he's recognized as one of the best ever.
Beck is riding high after being recognized by Western Horseman magazine in a recent article naming "The 13 Best Cowboy Songs of All Times" along with songs written by luminaries such as Ramblin' Jack Elliott, Allison Moorer, Lucinda Williams and Ian Tyson.
"I had two songs on that list, which was kind of cool," said Beck. "to be alongside some of the other people on that list, like Tom Russell, Ian Tyson. I thought, that's nice company. That was nice of them to say that."
One of those songs, "In Old California," celebrated local hero Jo Mora, the famous California artist whose work defined the state's Old West style.
"He was this sort of unsung hero, like a Charlie Russell of California. I was blown away by his work," said Beck.
He said that he hopes Mora's story is heard by future generations.
"If it brings more recognition to his stuff, that's great," he said. "People need to understand, there's this incredible story of the ranching history of California and it's pretty much overlooked by most Californians."
Writing cowboy songs has earned him a well-deserved reputation as a gifted songwriter, including airplay of his songs on renowned Americana radio station KPIG (including "Amanda Come Home," about a servicewoman shipped off to Iraq, and "Oildale") and he hopes to continue that with the Bohemian Saints.
"I've been playing for a while, it's really, wow, we really have hit on something wonderful." said Beck. "I've been writing a bunch of new songs. We're going to be recording some new stuff in June. That's what's on my mind right now."
Two of Mike Beck's songs were listed as part of the list of the “13 Best Cowboy Songs of All Time” in the April, 2009 issue of Western Horseman.
About Mike Beck and the Bohemian Saints
Mike Beck and The Bohemian Saints is an irresistible old fashioned guitar band, comprised of respected guitarist and songwriter, Mike Beck, and San Francisco Bay Area guitarist, Tom Ayres, backed up Marty Lydon on bass, and on drums by Paul Montgomery. The band has played together since 2002, and no matter where the band performs, their large loyal fan base follows. The band's music is frequently aired on all five of the popular KPIG Radio stations throughout California (including Monterey/Santa Cruz, San Luis Obispo, Chico and the San Francisco Bay Area) and via the station's popular Internet site. The music of Mike Beck and The Bohemian Saints have also been heard throughout the United States, and internationally, including NPR Radio, CBC, Sirius/XM and the BBC, among others. Their enjoyable original material, primarily composed by Mike Beck, reflects the band's love of Merle Haggard, Ian Tyson, Ramblin Jack Elliott, The Byrds, Tom Petty and the Heartbreakers, Flying Burrito Brothers and others. The band's top professional musicians provide outstanding shows in bars, coffeehouses, folk clubs, schools, festivals, and at corporate events.
Born and raised in Monterey County, California, at age 13, Mike Beck went to the Monterey Pop Festival and liked what he heard. He picked up a guitar and never looked back. Since that time, he has been composing and performing a wide array of folk, rock and Americana music. Mike's songs reflect his life as a professional musician and a working cowboy in the American West. His popular horsemanship clinics have been conducted in sixteen different states and six countries.
According to legendary performer Ramblin' Jack Elliot, "Mike Beck plays the guitar like a Byrd. His strings do things that mine could never do. They obey the slightest finger-touch commands like a fine Reining Horse." Legendary performer Ian Tyson explains, “Mike's plowing new ground. He's not re-recording the old Hollywood matinee music from the 30's and 40's. You've got to have focus and keep producing good stuff. He's better than all of those newer western guys.”
Bohemian Saints’ guitarist Tom Ayres’ talent has recently been described by longtime entertainment critic, Mac McDonald, a Monterey-based journalist, as “surpassing Jimmy Page, Stevie Ray Vaughn and Keith Richards.”
Top Western singer, songwriter, and musician Mike Beck's Feel is deceptively spare in its packaging, strikingly pure in its execution: pure cowboy, pure acoustic, and pure art. The often mellow-yet-complex songs are infinitely satisfying in their depth.
Feel showcases Mike Beck's guitar wizardry as well as his songwriting magic. Most of the tracks are originals, with the exception of a collaboration with Ian Tyson ("In Old California") and an arrangement of Jack Thorp's "Chopo" ("Poncho"), which he introduces as "For the cow horse, Pancho."
Mike Beck's music is rooted in folk and cowboy music traditions, but beyond that his work defies categorization. And his great guitar band, The Bohemian Saints (not included on this solo acoustic CD) knock down all fences with their own brand of Americana rock. Of this album, Beck has written, "I decided I wanted to do an album of a few new songs I've written and some of my other cowboy songs that people have requested...."
Among the old favorites are his frequently-covered grand anthem to the West, "Don't Tell Me"; the evocative and bittersweet pull-of-a-place "Mariposa Wind"; and "Amanda Come Home," about a young female soldier deployed to Iraq. That song got much national attention and was featured on National Public Radio in the The Western Folklife Center's What's in a Song series (find the broadcast here).
The song written with Ian Tyson, "In Old California," is a tribute to Jo Mora (1876-1947), legendary cowboy, artist, writer, and photographer (and more) whose art graces the CD cover. "In Old California" and "Don't Tell Me" were named as two of today's thirteen best songs by Western Horseman in April, 2009, along with selections by Ramblin' Jack Elliott, Ian Tyson, Gary McMahan, Dave Stamey, Tom Russell, and just a few others.
Mike Beck writes as eloquently as anyone ever has about real cowboy life in "Closer to the Light" and in "Rubin's Song." In the first, he limns the romance and transformation that can be found in that life—always without sentimentality but full of honest sentiment—"The young and old, the meek and bold....some boys are green as grass, some best hands you ever saw/ones leavin' a broken marriage, others runnin' from the law/you can't stow away on a sea-bound ship, and the circus quit comin' to town/so you pack your gear and you head out of here....you're runnin' from the fences, and you're holdin' on real tight....so shine boys, shine, a little closer to the light...."
Literally from inside his subjects, "Don't Hurt My Heart" and "Patrick" are pieces written from horses' point of view. "Patrick" is a tribute to noted horseman Bill Dorrance; Mike Beck lived at the Dorrance ranch and gained much of his early experience with horses and ranch work there.
Nothing is predictable here. "Before the Moon Fell Down" is an aching depiction of loss. "Alberta Cowgirl" celebrates the hardy species with unabashed admiration. Not only do the themes of the album's songs cover a broad spectrum, but what's inside is unfailingly perceptive. The standout "Livin' in the Arts" refers to Van Gogh, Hank Williams, Richard Brautigan, Lane Frost, Beethoven and others. It's a completely original insight into what it takes to survive an artist's life, informed by what must be Mike Beck's own upbeat strategy for survival.
Cowboys, cowgirls, horses, heartbreak, happiness, hope, a deep allegiance to the real West...and that guitar. Fans couldn't ask for more.